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Camille Pissarro

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Open a larger version of the following image in a popup: Camille Pissarro, El Cardonal La Guaira Ávila, 1852
Open a larger version of the following image in a popup: Camille Pissarro, El Cardonal La Guaira Ávila, 1852

Camille Pissarro

El Cardonal La Guaira Ávila, 1852
Pencil on paper
10 3/8 x 14 1/8 in, 26.5 x 36 cm
Signed ‘C. Pizarro’ lower right and titled and dated ‘El Cardonal La Guaira 15 Nov 1852’ lower left
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Further images

  • (View a larger image of thumbnail 1 ) Camille Pissarro, El Cardonal La Guaira Ávila, 1852
  • (View a larger image of thumbnail 2 ) Camille Pissarro, El Cardonal La Guaira Ávila, 1852
Before relocating to France in 1855, Camille Pissarro spent three years in Venezuela, where he painted with the Danish artist Fritz Melbye. The artists first arrived at the port of...
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Before relocating to France in 1855, Camille Pissarro spent three years in Venezuela, where he painted with the Danish artist Fritz Melbye. The artists first arrived at the port of La Guaira in 1852, staying there for three months before moving to a house close to the centre of the capital Caracas.

These Venezuelan works show Pissarro’s early interest in representing everyday life and common people, a thread that would run throughout the entirety of his career. In the present work, the artist represents the town of El Cardonal, in the Venezuelan state of La Guaira. ‘Ávila’ in the title refers to El Ávila, the Spanish name given to the mountain represented by Pissarro in the background.

Drawings from Pissarro’s stay in Venezuela are rare, with a number of his works destroyed when his Louveciennes studio was ransacked during the 1870 Franco-Prussian War. His drawings from this period are in such international museums as The Ashmolean Museum of Art, Oxford; The Museum of Fine Arts, Caracas; The National Art Gallery, Caracas and the Central Bank of Venezuela.
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Provenance

Stern Art Dealers, London
Private Collection (purchased from the above in 2002)

Literature

This authenticity of this work has been confirmed in correspondence between Joachim Pissarro and Christopher Lloyd
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