Raoul Dufy, a decorator and designer as well as a painter, has strong claim to be “one of the greatest colourists” of all time. Born in Le Havre, Dufy arrived in Paris to study at the École Superieure des Beaux Arts at the turn of the century and immediately established a prominent position in Europe’s most dynamic art centre. His interest in the expressive use of colour freed from its mimetic function together with his explorations into the descriptive potential of line led to an immediate rapport with Henri Matisse. After their first meeting in 1905, Dufy adopted the colour theories of Matisse and other Fauve artists and quickly became a central figure amongst this new movement. Taken on immediately by Berthe Weill, Dufy exhibited alongside Picasso, Matisse, Derain, Vlaminck and Marquet.

By the mid-1920s Dufy had established his radical personal style of painting, which was to characterise his artistic production yet to come. The accessibility and ‘joie de vivre’ of the paintings and drawings of Dufy’s mature period attracted an increasingly larger audience making him an extremely successful painter all over Europe as well as across the world. Both the style and the subject matter of his paintings talk of joyous events that reflect his bright approach to life. As he matured he developed a technique that enabled him to paint, in his own words, “…the way I see things with my eyes and in my heart”.

Dufy was famed for his joyous and vibrant flower paintings. This work is a fine example of his talent for capturing the delicate beauty of such a subject. As Marcelle Berr de Turique noted “The wealth and, especially, the pictorial impact of Raoul Dufy’s watercolours constitute a dazzling moment of 20th century painting.”